|Keywords:||Contemporary art; Spatial context; Installation art; Social change|
|Full text PDF:||http://rudar.ruc.dk/handle/1800/22335|
Through this paper we examine the process of how an object can exist in different spatial contexts, and how these contexts have an impact on the character of the object. Our interest lies in how a specific spatial context has the power to define an object, and vice versa, i. e. how the object can produce an impact over a specific space, defining people’s interaction within that space and with the object. The main focus of analysis is a caravan, which has been part of a redesign and refurbishing of the shelter Mændenes Hjem (under the project Radical Horisontality by artist Kenneth A. Balfelt) and is currently exhibited at Statens Museum for Kunst. By exploring the transition of locations that has experienced this object we are able to define the caravan and its spatial environment – in the past and now. Further on we argue how the use of art and beautification of spatial surroundings influence the users, when at the same time we discuss the social practices and processes of contemporary art. Additionally, we challenge observations and findings through a theoretical context about the interaction with museums (art)objects. Our findings suggest that there is a distinct change of identity of the caravan according to its spatial context. This change is based on the current consideration of the caravan as an art piece, although the original intention – to create a space that promotes a unique social interaction among users/visitors -, and the use of it as such is fairly consistent.