AbstractsLanguage, Literature & Linguistics

This MA thesis discusses the depiction of President Nixon and the Watergate Affair in various works of popular culture. During the Watergate Affair Nixon committed various crimes, such as the obstruction of justice and the abuse of power. He resigned on August 9 1974, the only American President ever to have done so. His successor, President Ford, pardoned him for these crimes. Nixon has never been convicted for them, to the dismay of many Americans. By now Nixon has become a controversial figure in American history. He is and will be always be remembered for the Watergate Affair. He also dragged out the American involvement in Vietnam for several years, resulting in massive anti-war protests and outpourings of great hatred against him. However, Nixon was also the American President who succeeded in achieving a détente with the Soviet Union, normalising relations with China and initiating the first SALT-treaty to limit nuclear arms. Moreover, he bettered the plight of Native Americans and steered through Congress important environmental legislation. Nixon, whose fate was essentially a tragic one, has inspired writers, poets, playwrights, directors and musicians to produce very interesting works of art. Philip Roth wrote ‘Our Gang’, a political satire depicting Nixon, amongst other things, as chief devil. Gore Vidal wrote a play about him, ‘An Evening with Richard Nixon’, as well as the historical novel ‘Burr’ about Aaron Burr, another villain in American history, which displays interesting parallels with Nixon and his time. The film ‘All the President’s Men’ is by far the most well-known work discussed in this thesis, dealing with the two young reporters Bob Woodward and Carl Bernstein of the ‘Washington Post’, who played an important role in uncovering the affair. Robert Altman’s ‘Secret Honor’ and Oliver Stone’s ‘Nixon’ not only portray Nixon, but also examine his cultural significance. The same is true for ‘The Assassination of Richard Nixon’, in which Nixon is not an actual character, but the figurehead of a sick and dishonest society. Ron Howard’s ‘Frost/Nixon’, the most recent work discussed in this thesis, paints a more positive and humane picture of Nixon. This is in accordance with a general tendency, within works of popular culture, to depict Nixon with much more depth, with more attention to Nixon as a human-being, and in a more balanced and positive way.