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Protracted Ambivalence: The decolonisation and indigenising of contemporary branding in Aotearoa

by Joshua Stables

Institution: Victoria University of Wellington / Te Herenga Waka
Department: Theses
Degree:
Year: 2022
Keywords: Design History and Theory; Visual Communication Design (incl. Graphic Design); decolonisation; branding; indigenise; Māori; colonisation; indigenous; kaupapa; School: School of Design Innovation; 120307 Visual Communication Design (incl. Graphic Design);
Posted: 3/25/2025
Record ID: 2306870
Full text PDF: http://hdl.handle.net/10.26686/wgtn.21556671


Abstract

Most New Zealanders are unaware, ignorant, or dismissive of why and how colonisation continues to happen today, and what the effects on society are (Kiddle, 2020). Decolonising design means recovering Indigenous wisdom from the onslaught of imperialism and outmoded colonial beliefs. Whilst there has been an influx in decolonisation material within the past five years as Aotearoa begins to face it’s colonial past, and the negative impacts of colonialism, it can be hard to actualise this information. This research recognises the similarities within design colonisation and contemporary branding through the experiences of designers from different experience levels within the design industry, from recent graduates to multinational designers. These experiences of design practitioners produce a framework that acts as a foundation to decolonise brand design in the future. This research speaks to cultural appropriation and calls for ways indigenise branding within Aotearoa. Through kaupapa Māori, this research challenges mainstream ways of knowing and being and centralises the needs and interests of Māori for every decision. The findings of this research will help new designers understand the implications of the colonised state of branding and, as a result, will influence how they work for a more inclusive, fair and restorative future.

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