Library: Communications and the Arts

Wong Kar wai is one of the most famous Chinese directors in modern filmdom. The cinema of Wong Kar wai is important 20th century cinema in 90’s Hong Kong society, which was in a post-industrial and post-colonial situation. In this paper, I have chosen four of Wong’s films: As Tears Go By (1988), Happy Together (1997), In The Mood For Love (2000) and compared them respectively with American and British films Mean Streets (1973), Brokeback Mountain (2005), and Brief Encounter (1945) with similar themes. These comparisons will be used in order to explore the spiritual tendency of Wong’s cinema, a...

In this paper, I aimed to explore deeply the Hong Kong ‘1997 handover’ theme films by comparison and summary in order to discover the history and cultural meaning of this incident from a human perspective. 1997 is a turning point for Hong Kong people, society and the film industry. The city confronted a historical turning point under an experimental ‘one country, two systems’ convention without precedent in history. This led many Hong Kong people to lose confidence about their future. In addition, this historical incident brought a series of social issues to Hong Kong people, such as confusio...

The aim of this dissertation is to present a study and an historical-musicological analysis of the Concerto for Violin and Orchestra of Sir William Walton, discussing more specifically the shape of the Concerto for Violin in England between 1900 and 1940, taking into consideration the works of Charles Villiers Stanford, Edward Elgar, Samuel Coleridge-Taylor, Frederick Delius, Ralph Vaughan Williams, Arthur Somervell, Arnold Bax and Benjamin Britten. The thesis is divided in three parts: - the first discusses the Concertos for Violin and Orchestra of the composers active in England between 19...

The Dutch-born English Baroque portrait painter Sir Peter Lely (1618-1680) is chiefly known for his drowsy, sensual beauties and bewigged courtiers associated with the Restoration court of Charles II. He is often seen as merely successor or "imitator" of Sir Anthony Van Dyck (1599-1641), with a common resemblance in all his sitters and an inability to capture a true likeness, as well as an absence of any personal characterization or psychological interest. Alternately, this dissertation aims to reveal Lely's genius of superb draughtsmanship, fine color and lively composition, as well as to e...